aligarh movie ending explained

Siras (played by Manoj Bajpayee) is used to being an outsider as he's the lone Marathi professor in an Urdu dominated university. It makes us question our own 'morals' and our reaction to … What happens to him makes up Hansal Mehta’s ‘Aligarh’. It stars Manoj Bajpayee and Rajkummar Rao in the lead roles. Aligarh is a 2015 Indian biographical drama film directed by Hansal Mehta and written by Apurva Asrani. It takes the persistence of a young, idealistic journalist, Deepu Sebastian (played by Rajkummar Rao) for Siras to even consider fighting for his rights. I also missed seeing Siras’s relationship with his students : or, seeing the perfunctory nature of the department of Marathi that Siras heads at the Aligarh Muslim University (everyone in the film carefully leaves out the ‘Muslim’ whenever the name comes up), did he have any to speak of? The newsroom doesn’t feel as real as it should, though (for that, please watch ‘Spotlight’, which gets it spot-on): those portions are off-key. 'Aligarh' sensitively portrays the lonely life of a homosexual person in this regressive society. With Manoj Bajpayee, Rajkummar Rao, Ashish Vidyarthi, Balaji Gauri. Watch: Audience Reactions To Aligarh & Tere Bin Laden Dead Or Alive. Aligarh review: It is a pleasure to see Manoj Bajpayee and Rajkummar Rao interact Aligarh review: Manoj Bajpayee makes of Siras a man whose bewildered fragility is up for examination, and whose gentleness demands understanding and compassion. A gay, linguistic professor living in a small orthodox city must deal with the aftermath of a sting operation that puts his sexual orientation in front of the entire nation. He is a scarred and scared man, as the three locks on his doors poignantly suggest. THIS is how much weight Tiger Shroff lifted in his latest video! (Full disclosure: Deepu Sebastian Edmond, on whom Rao’s reporter is based, was with the Indian Express when the story broke; photojournalist Tashi Tobgyal works with the paper). By continuing to use our website, you agree to our, Updated: 17 March, 2016 15:36 IST | It makes us question our own 'morals' and our reaction to someone's sexual orientation which doesn't match our own. 'Aligarh' sensitively portrays the lonely life of a homosexual person in this regressive society. They mince rather than walk. The slow pace largely works for the film. Mehta, who earlier gave us the gritty Shahid (2012), is evidently at his best when he brings true stories to life and, in his own way, fights against the injustice meted out to the protagonists. An elderly professor at one of India’s once-of the most prestigious centres of higher learning is hounded out – of his job, and his humble abode — because of his sexual orientation. For all the latest Entertainment News, download Indian Express App. But the film itself is bigger than these things. Manoj Bajpayee in 'Aligarh'. Star cast of Aligarh: Manoj Bajpayee, Rajkummar Rao, Ashish Vidyarthi, Sumit Gulati, Dilnaz Irani Copyright © 2020 Mid-Day Infomedia Ltd. All Rights Reserved. Rao’s youthful ebullience is an effective counter, his Malayalam- inflected Hindi just right. Like in his ‘Shahid’, Hansal Mehta and scriptwriter Apurva Asrani have come up with a lead character and a film which shines with authenticity and emotional heft, which leaves you thinking, and which says something we should all listen to, especially in these times when it has become more imperative than ever before: we can be different, but we are us. The hectoring tone of the public prosecutor in Allahabad is of a piece with the general castigation brought to bear upon the LGBT community, and Siras’s exoneration feels like a victory, even if short-lived. It is a fine performance, quiet and affecting. What is really interesting about Siras is his visible discomfort at being labelled ‘gay’; he’d rather not be labelled anything at all. Queer characters are not characters who just happen to be queer in most Bollywood movies. They are there to be mocked at. Credit goes to Mehta and writer Apurva Asrani for etching out his character with such precision. Siras, anyway, is not a hero as he evidently would rather cower than confront. Siras’ ‘case’ segues into the historic 2009 Delhi High Court judgement which decriminalized homosexuality, and is fought by a legal eagle (Ashish Vidyarthi) who places privacy in a bedroom beyond the ‘moral’ pale, and sneering guardians of ‘morality’.

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