Julie Mehretu makes large-scale, gestural paintings that are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Mehretu is included in Time magazine 's 100 Most Influential People of 2020. The full text of the article is here →, http://en.wikipedia.org/wiki/Julie_Mehretu. In 2015 she was awarded the US Department of State Medal of Arts Award. JULIE MEHRETU. 1970, Addis Ababa, Ethiopia) lives and works in New York City. Julie Mehretu stands in her studio, in New York City’s Chelsea neighborhood, with paintings in various states of progress. Mehretu … A graduate of East Lansing High School, Mehretu received a Bachelor of Arts degree from Kalamazoo College in Kalamazoo, Michigan, and did a junior year abroad at Cheikh Anta Diop University (UCAD) in Dakar, Senegal, then attended the Rhode Island School of Design in Providence, Rhode Island, where she earned a Master of Fine Arts degree in 1997. Mehretu was awarded a MacArthur Fellowship in 2005. Mehretu produces her works much in the way a city gathers its memories. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Mogamma, A Painting in Four Parts: Part 3, Attribution-ShareAlike Creative Commons License. from Kalamazoo College, Michigan, studied at the University Cheik Anta Diop, Dakar Senegal, and received a Master’s of Fine Art with honors from The Rhode Island School of Design in 1997. Julie Mehretu (born 1970 in Addis Ababa, Ethiopia) is an artist, best known for her densely layered abstract paintings and prints. in Los Angeles, and Derrière L’Etoile Studios and Burnet Editions in New York City. Reduced to a background haze of colour, each painting is then built up through an extensive, intricate layering process using screen printing, ink and acrylic marks which are drawn, painted, airbrushed or erased. “The narratives come together to create this overall picture that you see from the distance,” she says. Inspired by the masses of lines and shapes in Mehretu's work that perhaps suggest networks of urban movement or communication, Farago comments, "Mehretu's paintings come closer than any other artist's today to conveying the world we now live in: culturally hybrid and in constant motion, a synthesis of skyscrapers and ruins." Get local news delivered to your inbox. The works are a give-and-take between the often cataclysmic and destructive social and political movements Mehretu references, and the optimism that Kim describes in her work. Represented by internationally reputable galleries. Summary of Julie Mehretu Contemporary artist Julie Mehretu's extraordinarily grand scale works examine our communal connections with place and identity through abstracted landscapes rife … Spotted a problem? Julie Mehretu (born in 1970) is an American contemporary visual artist, known for her multi-layered paintings of abstracted landscapes on a large scale. Mehretu has exhibited extensively including solo exhibitions at Serralves Museum, Porto, Portugal (2017); Centro Botín, Santander, Spain (2017); Gebre Kristos Desta Center, Addis Ababa (2016); Solomon R. Guggenheim Museum, New York (2010); Deutsche Guggenheim, Berlin (2009); The Detroit Institute of Arts, Michigan (2007) touring to Williams College Art Gallery, Williamstown, Massachusetts and North Carolina Museum of Art, Raleigh (both 2008) Museo de Arte Contemporáneo de Castilla y León, Spain, touring to Kunstverein Hannover, Germany and Louisiana Museum of Modern Art, Humlebaek, Denmark (2006−07; St. Louis Art Museum, Missouri (2005); and Walker Art Center, Minneapolis, touring to REDCAT, Los Angeles and Albright-Knox Art Gallery, Buffalo, New York, (2003−04). Julie Mehretu (born in 1970) is an American contemporary visual artist, known for her multi-layered paintings of abstracted landscapes on a large scale. Her paintings are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Marking a continued departure from her earlier work which focused on a layered language of mapping and architectural detail, these paintings take the immediacy of a news photograph as their starting point. April 10– May 16, 2015. Mehretu was born in Ethiopia, in 1970, the first child of an Ethiopian college professor and an American teacher. Mehretu is included in Time magazine 's 100 Most Influential People of 2020. Marian Goodman Gallery is delighted to announce about the space of half an hour, a solo exhibition of new work by Julie Mehretu that will open on Monday, November 2nd and be … This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Her drawings are preparatory to her large paintings, and sometimes interim between paintings. The works of one of the world’s most influential individuals are on display at the High Museum of Art. in Los Angeles, are exuberantly colourful and large in scale, in part inspired by the artist’s recent visit to the Mogao caves in China. Her paintings, drawings, and prints depict the cumulative effects of urban sociopolitical changes. View Julie Mehretu’s 216 artworks on artnet. She shares her New York studio with her partner, the artist Jessica Rankin. Julie Mehretu was born in Addis Ababa in 1970 and lives and works in New York. This confluence and dispersion of energetic and decisive marks is respondent to the varied histories the photographs invoke. Conveying both the charged immediacy of political graffiti and the layers of scrawl and fly-posting that builds up in urban locales, they also reference mid-century abstraction; the poetic crescendo of their gestural profusion appearing contained only by the limits of the paper itself. Mehretu lives and works in New York City. Selected group exhibitions include 10th Gwangju Biennale, South Korea (2014); Document 13, Kassel, Germany (2012); 15th Biennale of Sydney (2006); 26th Bienal de São Paulo (2004); 54th Carnegie International, Pittsburgh (2004); Whitney Biennial, New York (2004); and 8th Istanbul Biennial (2003). Contact us to enquire about available works, 144 – 152 Bermondsey Street London SE1 3TQ. Mehretu was born in Addis Ababa in 1970 and lives and works in New York. Kettle’s Yard, Cambridge will host an exhibition of Mehretu works on paper presented alongside Louise Bourgeois Artist Rooms in January 2019. In 2005 Mehretu was the recipient of the American Art Award from the Whitney Museum of American Art, as well as the prestigious MacArthur Fellows Award. Julie Mehretu is a contemporary Ethiopian-born American artist known for her large-scale abstract paintings. Julie Mehretu stands in her studio, in New York City’s Chelsea neighborhood, with paintings in various states of progress. Mehretu’s work conveys a layering and compression of time, space and place and a collapse of art historical references, from the dynamism of the Italian Futurists and the geometric abstraction of Malevich to the enveloping scale of Abstract Expressionist colour field painting. “As you come close to it […] the big picture completely shatters and there are these numerous small narratives happening.” Mehretu layers a range of influences and art historical references as well, from the dynamism espoused by the Futurists, to the scale and physicality of Abstract Expressionism, to the divergent markmaking of Albrecht Dürer, Eastern calligraphy, and graffiti. She is best known for her large-scale paintings that take the abstract energy, topography, and sensibility of global urban landscapes as a source of inspiration. She has called it a “portrait of a city,” and the painting pays homage to the Turkish cosmopolis that straddles Europe and Asia across the Bosporus Strait, but it is nowhere pictured as a place. They fled the country in 1977 and moved to East Lansing, Michigan, for her father’s teaching position at Michigan State University. Julie Mehretu makes large-scale, gestural paintings that are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Mehretu has described her rich canvases as “story maps of no location”, seeing them as pictures into an imagined, rather than actual reality. Julie Mehretu (Ethiopian/American, b.1970) is an Abstract printmaker and painter. Part of a continual state of becoming, where marks reliant on effacement and erasure relate to action, they allow for new thematic possibilities. Mehretu is known for her large-scale paintings and drawings and her technique of layering different elements and media. An upcoming survey co-organised by the Los Angeles County Museum of Art (LACMA) and the Whitney Museum of American Art, New York, opens at LACMA in Autumn 2019 and will tour to other major US venues throughout 2020. Featuring large-scale paintings and etchings, the exhibition highlights Mehretu’s use of gestural abstraction as a conduit for evocative and charged emotion and intellectual enquiry.  Glenn Ligon. Working in a large scale, Mehretu draws on the 21st-century city for inspiration, transferring its energy into her gestural sweeps of paint and built-up marks in ink and pencil—often transposed from projections—and condensing seemingly infinite urban narratives, architectural views, and street plans into single unified compositions. She is best known for her large-scale paintings that take the abstract energy, topography, and sensibility of global urban landscapes as a source of inspiration. All rights reserved. Julie Mehretu, (b. Through its cacophony of marks, her work seems to represent the speed of the modern city depicted, conversely, with the time-aged materials of pencil and paint. ‘The Alien Discontinuum: On Painting and Participating in the work of Julie Mehretu’, A Universal History of Everything and Nothing, Julie Mehretu, Serralves and Botin, 2017, Contact us to enquire about available works. Julie Mehretu’s work is about layers: the physical layering of images, marks, and mediums, and the figurative layering of time, space, place, and history. As Cotter has written, they are ‘[…] fundamentally, about the individual within the complex social and political dynamics that inform the nature of the world in which we live.’ Urging the viewer to look, question and take time, Mehretu ignites the potential of painting to carry political significance, serving as an energising and motivational force that draws vital nerves and narrative lines with both the history of modernist abstraction as well as that of engaged political thought. Less structured than previous work and characterised by their intensely animated and vital surfaces, Mehretu’s paintings suggest a suspended moment ripe with possibility, defining what Suzanne Cotter has identified as a ‘mobility’ inherent in her painterly language.
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