Ritchie wasn't always so diplomatic. Investing in large LNG projects makes sense because it will help offshore economies with limited access to renewables to decarbonise. One of the most distinctive records of the early alternative movement and an enduring cult classic, Violent Femmes weds the geeky, child-man persona of Jonathan Richman and the tense, jittery, hyperactive feel of new wave in an unlikely context: raw, amateurish acoustic folk-rock. If you feel forced to work with people you don't like, take heart – it can even happen to rock stars. Three decades and two split-ups later, bassist Brian Ritchie confirms that he and Gano – the remaining original members amid a revolving door of drummers – still have little chemistry, outside the musical bond that's helped sell 10 million albums. hide caption. hide caption. "It is his karma that he lost his songwriting ability many years ago, probably due to his own lack of self-respect, as his willingness to prostitute our songs demonstrates.". The music also owes something to the Modern Lovers' minimalism, but powered by Brian Ritchie's busy acoustic bass riffing and the urgency and wild abandon of punk rock, the Femmes forged a sound all their own. September 15, 2020 July 27, 2020 Lucinda Williams plays a Tiny Desk (home) concert. "The Femmes meet them on their own terms, which they like. If NSW were a company it would have 8 million shareholders and the federation's best CEO in Gladys Berejiklian. Brian Blauser/Mountain Stage We Insist: A Timeline Of Protest Music In 2020, Watch Lucinda Williams Play A Tiny Desk From Home. "But there's still a contradictory thing that goes on – we're completely different personality types. But if we just show up and play, we get along fine.". hide caption. "If we can just keep the other things at bay … we always connect musically. If Jesus came today would he be a Polish hoodlum? Arlo Parks plays a Tiny Desk (home) concert. One of the most distinctive records of the early alternative movement and an enduring cult classic, Violent Femmes weds the geeky, child-man persona of Jonathan Richman and the tense, jittery, hyperactive feel of new wave in an unlikely context: raw, amateurish acoustic folk-rock. The Violent Femmes burst out of Milwaukee, Wisconsin in the early '80s, a remarkably original trio playing acoustic instruments and singing intense, personal songs with remarkable candor and love. "Probably if we’d had some meetings to discuss how we're going to make the album, it's a greater possibility we never would have made the album," he said.
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